Postcard Poem and Under the Knife
This article originally appeared in Southern Exposure Vol. 13 No. 5, "The Quiet Epidemic: Gay-baiting as Right-wing Tactic." Find more from that issue here.
Postcard Poem
It should be brief
and written in
indelible ink, so the postman's
hands, sweaty with the strain
of so many words on his shoulders,
will not smudge your message.
It should contain the expected “wish
you were here,” but no return address;
it should bear an exotic stamp
with the likeness
of the martyred leader of an
underdeveloped nation, or a plea
to save a nearly extinct species
of sea mammal. Through panoramic
views dominated by impossibly blue
skies, it should imply
that where you are
is the only place to be.
Under the Knife
By Judith Ortiz Cofer
She wipes blood from her knife
across a kitchen towel.
The thick contents of a just decapitated
hen spill into the sink.
I feel slightly nauseated but must
forbear for my aunt's sake. Childless
family martyr; renowned for her patience
with human frailty, and her cooking.
Her man drinks; she has failed three times
at childbearing. She squeezes the last
of the blood from the neck and a blue button
falls into her hand. Rinsing it, she drops it
into her apron pocket. As she places the pale carcass and
the knife before me she explains
how to cut the pieces with even, forceful
strokes: no hacking. She is under
no obligation to be kind.
The mothers and the daughters
have given her a lifetime license to mourn.
Like a queen in exile she acknowledges
nothing as a privilege. The pale fingers
of my aunt work with precision over
the pink flesh, showing me just how
to separate the tough from the tender.
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Judith Ortiz Cofer
Judith Ortiz Cofer's first book of poems, Reaching for the Mainland, is forthcoming from Bilingual Review/Press. A native of Puerto Rico, she currently teaches English at the University of Georgia. (1985)